DOTD:
For starters you have a Hell of a discography, can you tell me how you keep the
band going and what's new with Calm Morbidity? Perhaps even a few
favorite moments in SHP history?
SHP: I've been life-long
friends with my partner L. Kerr in SHP. It's been easy to keep things going
since it’s just the two of us. We are all electronic based, so we get together
every so often and record some jam sessions. We'll then go back and deconstruct
the recorded material, manipulate it and start multitracking for songs. It's a
lot easier producing music this way. No need for expensive recording studio
time. We've been able to produce so many releases over the years using this
method.
Calm Morbidity pretty much sticks to the same
formula we always use. As we age and gain more life experience it affects the
overall tone of the album. We never set out to say.. Hey we want this album to
sound like this. We just start engineering tracks and let a natural organic
process run its course. It is all based on intuition. Lyrics/Vocals happen last
in the process. I will listen to the tracks and let my imagination take me
where it will. I try to loosely stick with an archaic medical/occult theme.
Probably my favorite moments in
our history would be the relationships we've formed with peers in the scene
over the years. Marco Corbeli (now deceased) of Slaughter Productions in Italy
was a big influence in the start. He released one of our early albums. It was a
collaboration with Richard Ramirez called Explorations Into Deviance. Also hooking
up with Jason Mantis at Malignant Records was crucial to our career. He's
released 3 major albums of ours over the years, although we have released a
handful of things on other various labels. We consider Malignant our home base
and will most likely maintain a close relationship with the label for as long
as we can.
We've done some great live
performances over the years that were memorable. I'm terrible with dates but
Apex Fest in NY was a great one. Live performance is not my favorite aspect of
the business. I prefer creating and producing albums in my home studio.
DOTD: I was
going to ask about live performance but you pretty much summed it up. In terms
of medical/occult themes in your music, where do you find your inspiration
specifically? I read that you got hooked on Skinny Puppy in the beginning.
SHP: I just always
gravitated towards that type of imagery. I was really into Skinny Puppy in my
formative years in the 80's, also really into Carcass as well. I guess I've
always been pretty open minded when it comes to extreme music. I was into Metal
and Punk just as much as industrial as a kid. My mom worked for the Dallas VA
Medical center and would make me volunteer during summer break from school. I
saw a lot of nasty medical Shit there in real life that affected me profoundly.
As for the Occult aspect,
I always found it interesting. Coming Up listening to metal and watching horror
films only amplified this. I am an avid reader and have read extensively on the
Occult since I was a teen.
DOTD: As a
long time fan of industrial/HNW/Power electronics it's kinda funny that I don't
know too much about how it's made, I’m a straight ahead guitar and bass person
myself. What type of equipment would someone need to start doing it?
SHP: You
really don't need a lot. Just a recording device and some effects pedals. A
synthesizer is a plus. We have ammased a pretty nice collection of
synthesizers, effects, samplers and stuff over the years. We use software to
record. Software to further manipulate and design sounds. We are sound
designers as much as we are musicians. But anything go's. Anything that can be
recorded and manipulated in the computer is fair game. The possibilities are
infinite with electronic music.
DOTD: Let's talk about some of the tracks on the
album. Are there any that stand out in retrospect? Can you personally recollect
some of what went into making them?
SHP: This album came together
rather quickly. I've been dealing with some heavy duty life changes over the
last 2 years. Going through a divorce. Reuniting with an old friend that
quickly turned into a serious relationship. Lots of moving parts going on in my
life. Some devastating, some fantastic. Music has always been an escape. A
release of anxiety, depression etc. When Shit gets weird I always have SHP to
escape to. I just let nature take its course and started arranging tracks. I'm
in a new place with a new set up.. Sold off some gear and bought some new..
This album literally poured out of me in less than 6 months time. That's pretty
fast from how it typically comes together.
One track that particular
stands out is Cancer Maiden. Someone very close to me found a lump in her
breast. Those were some very tense and scary weeks going through testing,
waiting and waiting for results. It was gut wrenching. There is simply nothing
to do but wait and wonder. Completely at the mercy of a Fucked up, cold and
indifferent medical system. The test came back negative.. Thank Odin! But it
was the inspiration for the track. The possibility something so insidious can
take hold of someone so beautiful and whither it down to nothing.
DOTD: How
about some of the collaborations such as Explorations Into Deviance with Richard Ramirez, Crown of
Bone, or Tuskegee Syphilis Study with Breaking The Will and Nyodene D, any details on some
standouts on those?
SHP: Explorations for sure.... Richard had sent up
a cassette I believe of his trademark harsh noise wall sounds. We digitized it
and used it as sound source for building tracks SHP style. It was a fun album
to work on. We were super stoked to have it coming out on Slaughter Productions
and really paved the way for us way back when.
We
did another with legendary harsh noise artist Goat called Bloodletting The
Altar Of Lies. Same type deal, deconstructing Goat's source material,
layering in tracks on top of it. Even some black metal style guitar I recorded
found its way on there.
DOTD: Do you
have anything you'd like touch base on at this point?
SHP: No
plans on stopping anytime soon. Will continue to create and record sound for as
long as I'm able. I look forward to a day when I can retire from my real world
job and focus only on art. I have a few irons in the fire but nothing that I
would like to announce at this time. I'd like to make one thing clear. I don't
have the time or the energy to work on things that don't inspire me. It's
pointless to produce anything artistically without true motivational
inspiration. At this point in life I believe I've earned that luxury.